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Romantic comedies have long been Netflix’s safe bet, with hits like Set It Up and To All the Boys I’ve Loved Before setting the tone for the genre on streaming and proving to be fan favourites. But in recent years, the quality of such films has reduced, giving rise to underdeveloped, formulaic, trope-driven attempts that rarely capture the charm fans expect from a rom-com. The Wrong Paris, starring Miranda Cosgrove, promised a fun spin on reality dating shows but ends up falling flat despite its intriguing premise. Here’s whether the movie is worth watching or not.
The Wrong Paris, directed by Janeen Damian and written by Nicole Henrich, brings a cast that looks strong on paper but struggles in execution. Leading the film is Miranda Cosgrove as ‘Dawn’, a small-town girl with big dreams, alongside Pierson Fodé as ‘Trey McAllen III’, the rancher and romantic lead.
Yvonne Orji plays a plucky producer, though her talent feels notably underutilised in the film. The supporting lineup includes Emilija Baranac, Madison Pettis, Madeleine Arthur, Hannah Stocking, and Veronica Long, many recognisable faces from Netflix and Disney productions. While Miranda brings her trademark comedic timing and sitcom charm to the film, the story struggles to sparkle, leaving the cast’s potential largely unused.
The story follows ‘Dawn’, a small-town girl who dreams of attending art school in Paris, France. Short on funds after paying her grandmother’s hospital bills, ‘Dawn’ is convinced by her sister to join a reality dating show called The Honeypot that is happening in Paris. The twist? Instead of Paris, France, the show takes place in Paris, Texas, on the ranch of ‘Trey McAllen III’, a man ‘Dawn’ had briefly met before filming. The film is full of predictable romantic tropes. What could have been a witty parody of dating shows soon turns into a bland love story with little satirical bite.
Miranda Cosgrove tries her best to breathe life into ‘Dawn’. Her background in sitcoms like iCarly makes her well-suited for the slapstick comedy scattered throughout the film. She nails the physical humour, whether it’s messy food scenes or awkward pratfalls. However, her shift from independent artist to lovestruck ranch girl feels unconvincing at best. Pierson Fodé, though charming in appearance, struggles to generate any real spark with Miranda. Yvonne Orji stands out despite limited screen time, but the rest of the cast feels wasted.
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Despite its flaws, The Wrong Paris isn’t entirely without any redeeming qualities. Miranda Cosgrove’s commitment shines through, as she carries the movie on her shoulders with her best efforts, even when the story falls short. The film also maintains a lighthearted tone, making it a good choice for viewers who are looking for an easy, background-watch type rom-com. Additionally, fans of dating reality shows may find some comfort in the familiar archetypes that are being displayed, even if they are explored only on a superficial level.
On the downside, The Wrong Paris struggles with several glaring weaknesses that make it difficult to enjoy. The central romance between Miranda Cosgrove and Pierson Fodé lacks spark, leaving their chemistry unconvincing and flat at times. This comes along with weak direction and sloppy editing. Many scenes are poorly lit, and awkward camera work strips the film of its visual appeal.
The satire of dating reality shows is enjoyable but also feels underdeveloped as it offers only surface-level parody instead of the sharp critique seen in series like UnReal. Meanwhile, the supporting contestants are largely forgettable, with many disappearing from the story without explanation, further decreasing the story’s potential.
The Wrong Paris had the ingredients for a quirky, satirical rom-com, but missed its potential due to bad storytelling and uninspired filmmaking. Miranda Cosgrove’s efforts are commendable, but even her charm can’t save the film from being another disposable Netflix rom-com. If you’re craving a romantic comedy, revisiting Netflix’s earlier successes like Set It Up or To All the Boys I’ve Loved Before might be a better idea.
What are your thoughts about The Wrong Paris?
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